how does the movie independence day resurgence end

While Emmerich has kept his eyes to the stars, he’s missed out that family dynamics and teenage archetypes have evolved a lot since Independence Day, making elements like the troubled father/son dynamic in Moonfall odd relics of another era. While prior works like 2012 didn’t have characters as rich as the ones seen in a Cristian Mungiu movie, they were livelier than many of the humans that populate Resurgence and Moonfall. While pushing a space opera off to prospective sequels may be indicative of Emmerich’s patience, it’s also revealed another reason it’d be best for this filmmaker to go to the stars: his Earthbound material has gotten stale. The endings of Moonfall and Resurgence suggest that this director believes he has to earn the right to depart from Earth’s gravity, that audiences will only go there with him in the territory of a sequel. That’s never been an option for Emmerich, at least right away. Meanwhile, the Marvel Cinematic Universe or Star Wars titles can always hop on over to a brand-new planet should storytelling get stale in their respective sagas. However, it must also be very restrictive for a blockbuster director to never even have the opportunity to go into the cosmos, a domain that even the Fast and Furiousgang ventured into for F9. On paper, it’s a way to suggest grounded realism that the disaster movie spectacle can then upend. They could do incredibly unrealistic things to recognizable locales on the planet, but characters couldn’t go leaping into space at the drop of a hat. Independence Day established a norm for his disaster movies (built upon classic models of the genres from earlier eras like the 1970s) that cemented how subsequent titles like The Day After Tomorrow or 2012 needed to be set on Earth. The fact that Emmerich has so often made movies set on Earth also explains why this filmmaker would be so keen on a space opera. Though his disaster movies have been firmly planted on Earth’s hallowed ground, Stargate was an early indication from Emmerich that he had a yearning to take his blockbuster ambitions to farther corners of the known universe. A Kurt Russell/James Spader vehicle that spawned a multimedia franchise, this project’s whole impetus was about a portal that could take people from one planet to another. Long ago, before Bill Pullman ever gave a big speech about what Independence Day would now mean to people worldwide, there was a little movie called Stargate. It’s also not like Emmerich hasn’t kept his eyes to the stars before.

All of this doesn’t just explain why the moon is falling in Moonfall, it also shows that Emmerich knows his way around narrative cornerstones of traditional sci-fi storytelling. The moon was built as an ark to preserve humanity while a sprawling cosmic war was waged against the malicious A.I. Rather than settling on a straightforward concept of there being an evil being lurking in the moon, audiences are delivered an expansive backstory involving how the technologically advanced descendants of humanity used to lives far away deep in space. This is even reflected in how the trappings of such a story crept into the big plot twist of Moonfall. RELATED: From 'Independence Day' to 'Moonfall': Every Roland Emmerich Movie RankedĪfter all, there’s no question Emmerich’s got the dedication necessary to bring a space opera to life. However, it’s about time for this filmmaker to get a chance to try out such a project. Who knows if the resulting blockbuster would be any good.

Both Moonfall and Resurgence end on sequel teases setting up adventures set in the vast cosmos, a project Emmerich has some passion for. This otherworldly entity wants the humans to join a greater fight against the aliens on their home turf. Brackish Okun ( Bret Spiner), alongside a glowing helpful alien orb, races over to the film’s protagonist to reveal something important. Here, after the day is saved and the big alien queen is defeated, Dr. Though this may sound like a distinctively bonkers enough ending to be unique, it evokes immediate memories of Emmerich’s last big-budget feature, Independence Day: Resurgence. that almost crushed Earth in the preceding movie. This will apparently entail fighting off further evil cosmic forces like the rogue A.I. Greeted by the moon’s technology masquerading as his mom, Houseman is then told he has a lot of work to do. Houseman ( John Bradley) is suddenly resurrected within the core of the moon. Seemingly deceased conspiracy theorist K.C. People who’ve dutifully followed each of director Roland Emmerich’s blockbuster features may get stricken with a sense of déjà vu once the ending of Moonfall arrives.

How does the movie independence day resurgence end